Finding My Look

I Wore the Same Red Lip for Two Years Because a Magazine Told Me To

I Wore the Same Red Lip for Two Years Because a Magazine Told Me To - finding my look

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The line was something like every woman needs one true red, and I read it standing in a checkout line, waiting for someone ahead of me to find their card, and it went into me like it had been written specifically for my particular uncertainty. I did not have a signature anything at the time. I was twenty three and my makeup bag was a pile of half formed decisions, and the idea that one single product could resolve all of it felt like being handed a map when I had been wandering without one.

I bought the red the same week. Not the exact one the article mentioned, since I could not find it locally, but a red I decided was close enough. Blue based, matte, the kind that needs a precise hand and does not forgive an uneven bottom lip line. I wore it that Friday to a friend’s birthday dinner and felt, for the first time in a long time, like I had gotten dressed correctly.

Two years of one color

I want to say I wore it thoughtfully, that it was a considered choice I revisited now and then. It was not. It became a kind of armor I put on without thinking, the way some people always wear the same perfume. Interviews, dates, my cousin’s graduation, an ordinary Tuesday when I just wanted to feel like myself. The red went on and I told myself it was because it worked, but if I am honest I think it was because the article had told me it would, and by then I had stopped checking whether that was true.

My skin has warm undertones and goes golden in the summer. A blue based red sits against that kind of warmth like a slightly wrong note in a song you have heard so many times you stop noticing it is off. People still complimented it. People are kind, mostly, and a bold red gets noticed regardless of whether it flatters you, because boldness reads as intention even when the intention is borrowed.

My mom said the quiet part

It was my mom, at her own kitchen counter, who finally said it out loud. I was getting ready to leave after a Sunday visit and she watched me put the red on in the hallway mirror and said, gently, you always look a little washed out in that one, have you tried the orangey one you wore in high school. I remember feeling defensive for about three seconds, and then just tired, because some part of me had known this for a while and had been ignoring it in favor of the certainty the magazine line had given me.

She was not being critical. She just said it the way you’d mention someone’s shoe was untied, a small fact, offered without weight.

I went home and looked at photos from that whole stretch, two years of them, birthdays and ordinary days and one blurry photo from a friend’s wedding where the red sat against my face like it belonged to somebody else’s bathroom counter. In almost every one I could see what she meant once I let myself see it. The color did not sit on my mouth so much as interrupt it.

What I traded it for

I did not swear off red altogether, which I think would have been its own kind of overcorrection. I just stopped assuming there was one true version of it waiting for me in an article. I tried a few warmer reds, ones with more orange underneath, and one afternoon in my bathroom, testing them on the back of my hand in the window light, I found one that did not fight my skin the way the old one had. It is not dramatic in the same way. It does not photograph with quite the same punch. But it looks like it grew out of my face instead of being placed on top of it.

  • I stopped buying products because of a line in an article and started testing them in daylight, on my actual skin, before deciding.
  • I let go of the idea that a signature color has to be permanent, or singular, or decided once and never revisited.
  • I started asking my mom what she actually sees, instead of just what I want to hear.

The old tube is still in my drawer

I have not thrown the blue based red away. It sits in the back of the drawer, mostly used up, a little dented from getting knocked around in there for years. I keep it less as a product and more as a marker of a specific kind of mistake, the mistake of letting someone else’s confident sentence stand in for my own looking. Every time I see it I remember the checkout line, and the particular relief of being told there was one right answer, and how long it took me to notice the answer was wrong for me specifically, even if it might have been right for someone else entirely.

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